Citation
Lai, Huey Yann
(2016)
Lonely mentality in Lv Bicheng’s ci poetry.
Masters thesis, Universiti Putra Malaysia.
Abstract
Lv Bicheng was a great woman among Chinese poetry and Women’ Society in the
early 21st century. She was crowned as one of the modern female poets by Qian
Chonglian. Originated from an aristocratic family, she was also a talented and
intelligent person since young. She had made a name for herself. However, her life
changed when her father passed on. With her strong character, she didn’t compromise
to her life; she broke through the Feudalism thinking ‘It is a virtue for women without
talent’. She left and begun a journey of her very own, setting foot to the stage of the
world. In different stages of life of Lv Bicheng, she played different roles in the society
and she took up different responsibilities both in society and in religion. Thus, she
painted her own colourful legendary life.
In her youth, Lv Bicheng filled with enthusiasm to defend women’s right as she was
inspired by the modern women’s liberation thinking. She became an outstanding
independent woman pioneer. In her late middle age, she went to the United States to
study. After a few years, she put down everything, devoted herself to Buddhism. She
advocated no killing and became an influential kulapati internationally.
In Lv Bicheng’s life, she potrayed herself as a modern woman between the late Qing
Dynasty and the Republic of China. Nevertheless, her identity did not change. She
adhered in using classical Chinese to indite in her writings. She was referred as a
classical literature rear-guard in the end of her life.
This study will be looking at Lv Bicheng’s attitude in her solitary state, social circle
and religion which happened in different times. It analyzes from the aspects of her
solitary attitude to her poem and writings and how it changed from different era and
religion where transformation had taken place that she became a modern woman with a
high position and value.
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