Miao Quansun and epigraph appreciation and collection culture in the late Qing dynasty

During the late Qing dynasty, the culture of epigraph appreciation and collection was characterized by wide participation, diverse research outcomes, and a flourishing epigraph market. This era witnessed an unprecedented accumulation of epigraphic artifacts. Among the notable collectors, Miao Quansun stands out as the most prominent figure. Investigating Miao Quansun’s epigraph-related activities not only fills gaps in the study of his contributions to epigraphy but also provides a broader view of the late Qing epigraph culture. This research comprehensively collects Miao Quansun’s epigraphic literature from his works, diaries, letters, and writings, aiming to portray various facets of late Qing epigraph appreciation and collection centered around him. The study reveals that Miao Quansun was a leading figure in the field of epigraphy, excelling in the search, recording, and dissemination of epigraphic artifacts. His methods of collection were diverse, his categories comprehensive, and his organization systematic. While inheriting traditional philological methods, Miao also developed unique principles for appreciation and collection, enriching the theoretical framework of epigraphy and pioneering new avenues for its study. This research delves into Miao Quansun’s mentorship and social network, interactions with grassroots epigraph assistants, and active participation in the epigraph market. Additionally, it explores the influence of his epigraph appreciation and collection activities on his calligraphy and literary works, reflecting his artistic values. Through a multifaceted exploration of Miao Quansun’s activities in epigraph appreciation and collection, the study establishes his significant role in the inheritance and development of late Qing epigraph culture, revealing the flourishing state of epigraph appreciation and collection during this period.

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