Citation
Khandhar, Diren Ashok
(2021)
Roles of animals and eco-psychology in the healing of trauma in contemporary fiction.
Doctoral thesis, Universiti Putra Malaysia.
Abstract
The field of Eco-Psychology is an emerging avenue to help understand better
the effectiveness of human-nature bond in the recovery and healing of
psychological trauma. The capacity to live in balance with nature has been
identified as the key element to improve the spiritual and emotional well-being
of humans by creating a reciprocal relationship between humans and the
natural world surrounding them. In order to achieve this unification, the
awakening of ecological unconscious in human minds is fundamental as this
would be the key element to be tapped into for humans to realize the true
powers nature possesses. One of the most notable connections man has with
nature is through animals and this association has been characterised to
facilitate therapy for humans through the diverse inherent qualities that animals
possess. These qualities are worth to be explored in ascertaining better how
trauma can be negotiated with the intervention of animals. Herein, this thesis
firstly aims to analyse the varied manifestations of trauma in the selected
literary texts using the trauma model by Cathy Caruth as well as other Trauma
theorists. The next objective that is aimed to be accomplished is to examine
the awakening of ecological unconscious among the selected literary
characters using the theory of Eco-psychology by Theodore Roszak and Andy
Fisher. Once this has been achieved, the relationship between human and
animals is investigated further to ascertain how this union is fundamental in
aiding to heal psychological trauma in the literary characters of the novels
selected for this thesis. The three literary texts that have been selected as the
primary sources for this include Suspect (2013) by Robert Crais, Archipelago
(2012) by Monique Roffey, and Life of Pi (2001) by Yann Martel. These novels
are deliberately chosen as they contain elements pertaining to psychological
trauma that have stemmed from natural disasters, murder and personal
tragedy. All these catastrophes ultimately led the characters in the fiction to
experience different exhibits of trauma such as hallucinations, extreme anxiety,
flashbacks and nightmares. Mode of recovery started to transpire when these characters begun to establish a deep affiliation with the natural world
surrounding them. The non-human natural world played an integral role in the
integration of psyches between the literary characters and the environment
surrounding them as well as helped in the process of recovery of psychological
trauma through their observations and assimilation with the animal characters.
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