Citation
Burhan, Al-Muqdadi Dalal Ahmed
(2020)
Interference of cinema techniques in Sa'di Yusuf poetry.
Masters thesis, Universiti Putra Malaysia.
Abstract
Interference of Cinema Techniques in Sa’di Yusuf's poem is one of the new,
contemporary, and unexplored topics that were not paid enough attention in
research and analysis. Researching such topics will highlight the impact of the
new technologies, such as the cinema, on developing the poetic language
production. This study attempts to fill this gap in the literature by revealing the
role of the cinematic techniques in developing the poetic language. This study
aims at describing the cinematic interference as perceived by Sa’di Yusuf in
terms of dialectic, animated and whole image. The study serves to define the
visual shot in terms of zoom technique for the cinematic camera of the short,
middle and general distant shot adopted by Sa’di Yusuf. Furthermore, it analyses
Sa’di’s view on the poetic scene (dramatic and mechanical) in terms of its
interfering nature and how he has leveraged on the cinematic scene. To this end,
an analytical descriptive method was used to analyse the poems in terms of the
employment of the cinematic techniques. To do this analysis, the poet’s
collection of poetry ‘Three Rivers’ was analysed based on the methodology of
"Yousef Al-Sayegh" in terms of the use of cinematographic technique in the
contemporary poem. The ways of interference between the poetic art and
cinematic art were also analysed. The findings showed that the utilisation of the
cinematic image technique has made his poetic language more developed and
open. Hence, the employment of the snapshot technique exempted the poet from
the linguistic imbalance. Besides, the scenery snapshot technique was able to
unite any contradictions in the communicated ideas and display scenery aspects
of beauty.
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