Citation
Sani, Abubakar Mohammed
(2016)
Satire as a form of native resistance in Mongo Beti's selected novels.
Doctoral thesis, Universiti Putra Malaysia.
Abstract
This study explores the impacts of colonialism on the political, economic and social
life of the colonized native subjects through analyzing the selected novels by Mongo
Beti. Despite the resistance, and struggle for independence by the postcolonial
countries to decolonize their lands and people from the colonial occupation and their
success in driving the colonizers out of their countries, they did not succeed in
separating themselves from the political, social and economic influence of the
imperialists. Thus, the people are disillusioned immediately after the so much
desired and hard earned independence from the colonizers. The independence which
promised so much has turned out to be a chimera as the situation in many African
countries has deteriorated leading to socio-economic and political instability. These
so-called independent countries are bedevilled with corruption, civil wars, political
turmoil, among other factors due to absence of patriotism on the part of the
indigenous people and external control from the ―former colonial masters‖. Through
the use of satire, Mongo Beti portrays and criticizes these situations in one of the
African countries in his literary works selected for this study (The Poor Christ of
Bomba, King Lazarus, Remember Ruben and The Story of the Madman). Therefore,
through the postcolonial concept of Native resistance by Frantz Fanon and by
analysing the themes and characterizations of the selected novels by Mongo Beti, the
researcher highlights the impacts of colonialism on the colonized native subjects
represented by mimicry, identity crisis, political turmoil, corruption, resistance,
among others. The novelist, Mongo Beti has his own understanding related to the
impact of colonialism on the colonized native subjects in Cameroon. Thus, the study
proves that the French colonial power triumphs its victory over the colonized native
subjects in Cameroon as depicted in the selected novels.
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