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Dama Orchestra's shidaiqu recontextualized in theatre


Citation

Loo, Fung Ying and Loo, Fung Chiat (2014) Dama Orchestra's shidaiqu recontextualized in theatre. Asian Theatre Journal, 31 (2). pp. 558-573. ISSN 0742-5457; ESSN: 1527-2109

Abstract

This article examines how Dama Orchestra has recontextualized shidaiqu (时代 曲) in a theatrical setting. Dama Orchestra was originally a Chinese orchestral group in Malaysia that, due to economic crisis, changed its focus from classical music to staging the more popularly demanded shidaiqu. Shidaiqu is a southern Chinese song genre popular from 1920 to 1950 and typically performed in Malaysia during Phor Tor (Hungry Ghost Festival). It has remained popular with mature Chinese Malaysian audiences at ko-tai, pubs, and karaoke bars. By adapting it to a theatrical form in the late 1990s, Dama Orchestra transformed the popular and commercial nature of these songs into an elite musical theatre genre. Performed as a Westernized hybrid theatre, shidaiqu attracted serious music aficionados in Malaysia and was raised from its stigmatized position as genü maichang (sing-song girl entertainment). This article draws on participant observation work to report how Dama musicians re-Sinicized the orchestration of shidaiqu and combined it with theatrical elements to appeal to the diasporic Chinese community of Malaysia.


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Additional Metadata

Item Type: Article
Divisions: Faculty of Human Ecology
DOI Number: https://doi.org/10.1353/atj.2014.0040
Publisher: University Of Hawai'i Press
Keywords: Dama Orchestra; Shidaiqu; Theatre; Chinese orchestral group; Malaysia
Depositing User: Nabilah Mustapa
Date Deposited: 25 Jul 2015 10:18
Last Modified: 19 Apr 2016 06:35
Altmetrics: http://www.altmetric.com/details.php?domain=psasir.upm.edu.my&doi=10.1353/atj.2014.0040
URI: http://psasir.upm.edu.my/id/eprint/36960
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