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The exploration of political conflicts and personal relationships in Ian McEwan's The Innocent

Abbasiyannejad, Mina and Talif, Rosli (2014) The exploration of political conflicts and personal relationships in Ian McEwan's The Innocent. SAGE Open, 4 (1). pp. 1-9. ISSN 2158-2440

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Abstract

Political conflicts have historically affected the relationships of nations. Ian McEwan’s The Innocent is an excellent example of a story set within the web of such a conflict—the Cold War—that was brought about by U.S. and Soviet confrontation over spheres of influence after the Second World War. This article aims to show how Ian McEwan pictures Americanization as a form of cultural politics aimed at spreading American influence throughout the occupied countries such as Germany for political domination. Max Weber’s theory of political power along with semiotics as a tool is the framework of the article. Signs that refer to the Americanization process, including inferences in the dialogues, gestures, choice of food, and even clothing, are scrutinized and interpreted within the socio-political context the of Cold War. The analysis of The Innocent provides an example of the ways in which fiction represents political conflicts permeating personal and intimate relationships, and how such conflicts may result in a sense of mistrust and intrigue among both people and nations.

Item Type:Article
Keyword:Ian McEwan; The Innocent; Conflict; Political; Personal; Semiotics; Domination
Faculty or Institute:Faculty of Modern Language and Communication
Publisher:SAGE Publications
DOI Number:10.1177/2158244014527987
Altmetrics:http://www.altmetric.com/details.php?domain=psasir.upm.edu.my&doi=10.1177/2158244014527987
ID Code:49965
Deposited By: Nabilah Mustapa
Deposited On:30 Dec 2016 13:31
Last Modified:30 Dec 2016 13:31

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